State-of-the-Art Technologies
The Right Camera for Your Project
Camera choices through the 1980's and early 2000's was simple. The usual question was: "What camera do you use, Sony™ or Ikegami™?" These days it's more complicated as cameras and recording devices are becoming more specialized and greater choices with an ever-changing line of cameras from Sony, Canon, Panasonic, Black Magic Design, and Arri, which are only some of the current widely used cameras.
Jeremy Productions considers camera trends important to keep up with along with understanding the importance of shooting with a camera universal with client's needs. We own two of Sony's cinema line cameras: (2) PXW FX9s and (2) FX3s, providing flexibility in your production needs. Shooting in either S-Log or S-Cinetone these cameras provide exceptional resolution and image quality and are the most requested for a majority of productions today. If you do have a different camera preference or currently using a different camera, we can provide that camera for your production.
With the multiple camera options available and producers working remotely through the pandemic and as the pandemic subsides, we can offer the possibility to conduct your interviews remotely and if desired be there remotely to help guide through b-roll needed. With multiple video capture boxes and wireless video transmitter, there's no need for the camera to be tethered to the computer.
"I believe that today's cameras are only a small part of what makes a good image; the rest is light and composition. A good DP is not known by what camera he uses, but how he uses it."
Standard Packages
Every production has different needs, and depending on your project, we can put together a camera package that works within your needs and budget. Every shoot includes the minimum necessary to create a beautiful look for your interviews, b-roll, or small studio production. I have created a camera package setups to help provide your project with what it needs based on your budget criteria. Those setups are for either a two-person EFP, two-person ENG, or one-person crew. Since technology changes, I'm continuously upgrading and adding new gear to provide the best image for your projects. For packages and rates, please contact us. Additional gear is available upon request and quoted as needed, including crew, audio, lighting, and grip equipment.
CAMERAS & Support Gear
- (2) FX9
- (2) FX3
- Ronin RS3 Pro Gimbal
- Rhino Arc II 3 axis motorized slider
- Cinevate Horizen manual slider
- Cartoni Tripods
- Atomos and Convergent Design Monitors/Recorders
AUDIO GEAR
- Sound Devices 663, 552 or Mix Pre D (depending on project)
- 2 Hardwire Lavalier Mics
- 2 Wireless Mics
- 1 Omni-Directional Mic
- 1 Shotgun Directional Mic
- Audio Accessories
Standard EFP Lighting Package*
As lighting technology continues to evolve, an updated gear list should be requested
- LitePanel Gemini 1x1
- (1) Nanlite Forza 720B w/various modifiers
- (1) Nanlite Forza 300 w/various modifiers
- (2) Nanlite Forza 60c/w various light modifiers
- C-stands, Heavy duty light stands, Flags/Nets
Available Upon Request*
- Slider Options: Cinevate 48" HoriZen Slider or Rhino ArcII 3 axis slider
- Ronin RS3 Pro gimbal w/Steadimate 15
- 2nd Nanlite Forza 300, Joker 400 HMI
- Remote Video streaming kit (Kit includes computer w/Cell data plan, video capture device)
- Hollyland Mars 400S SDI/HDMI Wireless Video Transmission System
*Detailed Camera Gear list is available upon request and quoted as needed.
External Recorders
Continue to play a key role in the acquisition of high quality video. With many video cameras and DSLRS capable of recording video outputting RAW , these external recorders are a necessity. Jeremy Productions owns the Atomos 19" Sumo, 5" NinjaV and Convergent Design Odyssey 7Q+.
